Tag Archives: jeremy deller

Cultural Enrichment for schools : Is Everybody In The Place ? Free Party Folk History and the roots of Rave from Traveller scene

I’m over the moon! I finally get to talk about rave culture / raving and the social impact it has had on our society. I’m going to be running a short course on djing and rave culture for my own school where I attended and collected many tapes and flyers ( personal Thanks sam blay , Matt Carter, James Hutchins , Theo ,Richy Blitz , Jords, Gareth w, The Hall twins , Lucy , Al Harrison , Morgan egg lord and countless other ravers who all shaped my young raver mind ) and i’ll be able to invite some heroes ( warm agency – Mickey , Andy who was at Castlemorton ) , Jenny Twenty ( death by stereo / mixology ) to talk about what they have experienced… i’m literally agogo and assembling many pieces of essential info to present a brief history of the greatest cultural movement we have still going…

I know its anti outlaw to work with da man ( insert jez from peepshow voice ) but we need the next generation to keep the acid house supported and spreading the spirit, fuck trap, fuck mumble rap I know I sound like rave grandad when I say that but nothing pains me more to hear that sound coming out of a boom box on the beach , where are the pounding beats my lord !! ….but they need less Xanax and more XTC ….and TLC waterfalls is OK 😉 btw anyway sorry this is a rambling blog ill get my verbal diaherea out the way now and try and be more cohesive…

Writing for schools is difficult …. what to leave in what to leave out !! My heads wrecked !

here’s the rough text for the presentation of Jeremy Deller’s totemic film Everybody in the place and other important docs I’ll be showing to the students.

Everybody in the place – Jeremy Deller – an incomplete history of Britain 1984 -1992 – Free Party Folk History & Tales of a Traveller docs

Course Notes 

Jeremy Deller is a Turner Prize winning  multi media artist that focuses on history and postmodern culture to look at the way Britain has evolved through music and youth culture. He traces the links and social historical background of cultural events and movements, he’s not so much an artist more of a historian that makes visually interesting work. 

His film Everybody In The Place very accurately tells the story of how Rave culture made a huge impact to our society, we the British took and re made a sound and culture from many different elements  the throbbing hypnotic music of gay chicago clubs like Ron Hardy’s music box where EBM, Belgium New beat and other types of early electronic music and disco music were fused leading to inspired remakes and a completely new type of music was born using the newly available roland music devices such as the 303 drum machine and 808 and 909 drum machines , the beginnings of the Detroit techno sound was growing at the same time in the early 80s and the industrial sound that sprung from the deindulstialized zone of the former motor city was fused with the trance elements of Belgium New Beat and the roots of New York Disco from Clubs like Larry Levan’s Garage (we’ll be looking at these scenes through the course to see the parallels and similarities and learn about them and these societies and what created their specific cultures )  

Today there are a multitude of different sounds and scenes that grew from the rave scene in the late 80s and early 90s. outsider Societies mirrored societies and took elements and remade and created incredible mutations of sound and vision, from the collapse of the Berlin Wall leading to the amazing German rave scene we see that Rave and Techno powered amazing social shifts in societies globally.

from a UK perspective With the above mentioned music we took elements and added our own love of hip hop and reggae and created Hardcore and this sound exploded in fields and abandoned warehouses and clubs across the country.

Industrial spaces that had been abandoned since the de industrialisation of the UK  in the Thatcher reigning years 1979- 90. Where a steady decline in production as the UK moved to being a service and finance based economy leaving many parts of the UK in ruin and without recompense for the loss of jobs and effects it had on communities…however

We ( the generation that embraced rave culture )   re purposed spaces and sounds from the past that led to the creation of a wholly new sub culture that led to Moral panic and questions being asked in the house of commons about the future of our nations youth, this panic basically amounted to fear of a society out of control and living with its own codes and outside normal Conservative values. Where the travellers and hippies were shunned from the spaces they had seen and quite rightly used as common land they formed alliances and assimilated into ravers who organised free parties all over the country , a great website with accounts of these can be found here , free party people.org culminating in the event that undoubtedly changed society – Castlemorton which led to the Criminal Justice Bill – no gatherings allowed with repetitive beats and police having powers to break up parties and take away sound systems.Painted as folk demons the travellers had been moved away from stone henge and other sites as the police cracked down on the New Age traveller movement that had developed since the late 60s.

It is important that people see that there are alternative ways to live outside of society and especially now that the cost of living has become untenable , looking back over history like this there were moments when it seemed possible to live without intervention from the state, alternative worlds and ways to be are still possible and we can take inspiration from the peak era of raves and free parties, it is also a huge industry ( think of what is termed EDM and techno blandness with Instagram djs and paid for followers and ghost producers …. ) with all the downsides to what we have today but there are also many pluses and links to the travellers and ravers groups like Extinction Rebellion whatever your view on direct action and groups like this have links to these scenes and are necessary for the protection of our planet

Hippy ramblings ? Make of it what you will, films like Aaron Trinder’s doc show us and give voice to many who were intrinsic in this radical movement that arguably means more than Punk ever did and has had many more positive effects on society – DIY culture, autonomous societies and independence is something that needs encouraging, applauding, examining and talking about now more than ever as a the world gets crazier and more unbalanced.

a really touching and essential book that has inspired myself and friends to go back to free parties and make our own was the gift of Dreaming In Yellow by Harry Harrison l by Velocity Press , my true love gave me this Bookman its the greatest present ever to get a book about something I really enjoy and feel passionate about …….DIY is the sound system I respect the most as they simply had the best music, digs and whoosh almost played in alum chine in bournemouth but the party was shut down within twenty minutes … boohoo I was too young to get to their parties so reading about them is a joy , thanks LUCY xx

another great eye witness account of the roots of the rave scene and parallel lives with links to the free festival and traveller circuit can be seen here in this film about Rodger a traveller who ended up djing at Spectrum at Heaven …

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Seb Patane in Conversation

Seb Patane In conversation about Dark Wave in Italy, Fog School his music project, His love of Jpeg Mafia, we talk Andrew Weatherall being a regular and phoning him up about his club Nerd and Alexander Mcqueen coming down to dance, I waffle about ALFOS and Sean Johnston ,Mark Leckey, Jeremy Deller , Depeche Mode and UK Lockdown Jitters , the process of writing tracks For Haram Tapes and my better half Peter Reeves aka Sumatran Black Fog School and Scanner !! I missed that and mutual loves and London in early 2000s and where we are now,featuring regular cat interruptions. Big thanks to Severino for introducing us and hope we get to boogie again soon.
https://fogschool.bandcamp.com/
http://www.sebpatane.com

if you spend £3 on tracks this week go get Fog school and Scanner

and BALD!

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State Of Bass – Velocity Press

State Of Bass – Martin James, Published by Velocity Press

Velocity Press is a new publisher  started by the same people behind Knowledge magazine

Of great interest are the recent Join The Future by Matt Annis writer for Juno , dj and many publications and DJ under the guise Sell By Dave, a stalwart dj and promoter based in Bristol, personally I remember and respect to him as both a writer and DJ  as he was very active with his Bedmo Disco series ( bedminster the area of Bristol)

Matt’s book charts the development of British dance music and its first truly original sound of Bleep Techno from the warehouses of the north spearheaded by the legendary Sheffield power house that is Warp Records, Ill be looking to read this as soon as I have finished State of Bass, with recent events it has thrown a focus on the legacy of the raves and music that sprang up from this strange island.

Back to the future.. State Of Bass The reason for this updated reprint are manifold, the two main reasons are scarcity. The original was selling for crazy money up to £200 on Ebay and for the second reason to include events that happened after its first initial press such as Roni Size winning the Mercury prize for his Reprazent project. A lot has changed since the 90s and Drum and Bass is a global culture not just a music ‘scene’ its become a movement, music scenes come and go ( dubstep and Grime case in point two scenes that didn’t translate globally or last  )

 

but Drum and Bass is definitely permanent and has refused to water down, there are many new forms ( excuse the Reprazent pun ) new expressions and art works related and involved in the scene, it remains multicultural and independent weathering the ( music ) industries use and abuse.

 

The book delves deep into its stories, its infighting, its scenes stalwarts and the development into this huge ever-evolving culture.

 

To use a quote from Roni and Krust on Mask – released on dope dragon Bristol Sound

 

It’s a dictation and it’s a definition on how we livin’

 

 

What this book illustrates with numerous interviews and analysis is that this musical movement bears multiple facets more than other music and youth culture from the last 40 years , Punk begat independent music and a means to self record and release, hardcore and jungle did this with no use of the mainstream media or very little and it must be mentioned John Peel was up to his death still playing Jump Up, Tech Step and even Gabba representing the offshoots and DNA splices and Mutations that sprang from Rave … He never lost his hardcore…. and with his son Thomas Ravenscroft that lineage and important representation has not been forgotten.

 

 

 

 

I digress, the UK Hardcore sound grew to be what drum and bass is today as one of the most far reaching musical exports, with so many scenes heard across the globe, from Poland to Vietnam from Southampton to Graz, Chicago to San Francisco where there is a an urban environment and sometimes even a rural setting there is a crew making beats and creating parties, releasing records both physically and digitally on labels big and small.

 

Living an independent existence based around celebration and coming together regardless of ethnicity bear that in mind that it is the culture that sprang out of the raves and parties it is this fusion of cultures that developed here, in the UK under the hot house conditions of a country in recession and a society that was opening up. If you’re from Britain you can say this is the thing we should be most proud of, a whole culture and means of production AND industry owned independently see Jeremy Deller’s excellent film Everybody In The Place for more on the theme of owning the means of production.

 

Drum and Bass / bass culture/ rave culture offers an identity, career possibilities and a focal point for communities, it is the whole and referencing the legendary Hardcore party documented in the book it is AWOL A Way Of Life

 

a whole chapter could be written on Desert Storm sound systems & DIY , Circus Irritant , WDA, Spiral Tribe and other free party systems and this is a theme I want to return to as a fall out and departure from society.   I must mention the excellent Photo Book No System here by Vinca Petersen https://vincapetersen.com/no-system-product/

 

 

 

But lets focus on the book and Drum and Bass

 

It’s a standard device now but the suggested listening section at the end of each chapter throws up some classics and lesser known examples for instance In the chapter Valley Of The Shadows where we learn of the development and evolution of the hardcore / dark sound and time stretching techniques and the economic situation that developed in 92

 

a fine example is DJ Crystyl Warpdrive , a still futuristic blast of chopped and stretched breaks and floating ambience and the sound of the warp drive – RUSH 4 U

 

 

 

Compare with the 2004 remix, it keeps to the same theme of total drum chaos evolving flexing, going backwards, chopping multiple breaks

 

And it came out on Photek Productions label an artist covered in the book and figure head the somewhat tricky / divisive genre label of Intelligent

 

 

https://www.discogs.com/artist/417-Photek

 

 

For a great example of the development and experimentation and ever darkening skies around hardcore there is the classic compilation/ mix by Kemistry and Storm ( Kemistry who tragically died in a car crash coming back to London from a gig in Southampton April 25th 1999 as I would learn from friends who attended the gig )

https://www.theguardian.com/music/2019/apr/04/kemistry-storm-the-tragic-story-of-the-drumnbass-originals

 

Enforcers: Above The law

 

https://youtu.be/tv1L0aDSsus

 

 

Featuring Refige Kru (Goldie and Rob Playford – Metalheadz and Moving shadow respectively two of the biggest labels) https://youtu.be/-DblfFRL4ek it set the standard of the fall out from the day glo rave scene as the ecstacy became weak and the europhia was replaced by a creeping paranoid atmosphere assisted by Sci Fi and horror samples to match the worsening mood as recession bit hard in 92

(side note …where were you in 92 an honorary mention must go to Zomby for this album Where were you in 92 that uses Bizarre Incs Playing with Knives piano riff over a whole album )

 

Bizarre Inc Playing with Knives https://youtu.be/TLlvYaCZ8Vc

Zomby – Float https://youtu.be/9FriS8EVVJg

 

And of course Special Request for bringing the hardcore back,

 

 

 

Darkcore was a reaction to the helium vocals and over use of pianos the division of hardcore into the white toy town infantilism and the more roughneck darker sound which would eventually evolve into manifold styles … to read more about the DNA and theories, splits, alliances and allegiances you really should buy this book along with Energy Flash by Simon Reynolds https://g.co/kgs/BK5WLT

 

and Altered States by Mathew Collin https://g.co/kgs/798hQE

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